As you can see, the path he has traveled since the early 20s, when he rejected the school of Art Theater from the doorstep, although he knew little about it, was considerable.
In the 1920s, several works on the "system" were published. But not all of them stated it accurately. Even Mikhail Chekhov, a talented student of Stanislavsky, did not avoid mistakes in interpreting Stanislavsky's teachings, which forced Vakhtangov to come up with a highly critical article "Writing about the Stanislavsky system."
At that time, some of the propagandists of the "system" presented as a complete whole the stage in its development that they had observed during their work with Stanislavsky, who was moving unusually rapidly in the development of his teachings. By presenting the teachings of the great director at the level of their knowledge, they introduced great confusion into the minds of the actors and contributed to the creation of an inaccurate and sometimes false idea of the "system". The danger of vulgarization of Stanislavsky's teaching was so great at that time that Stanislavsky himself noted this in 1931 in his famous address to the government about the situation of the Moscow Art Theater and the tasks facing it. It is also known how outraged Stanislavsky was when in 1921 V. Smyshlyaev's book "Theory of Stage Spectacle Processing" was published. After working in the Art Theater for some time, Smyshlyaev nevertheless did not understand Stanislavsky's teachings so much that he even intended to speak in print with a refutation of Smyshlyaev's accusations. In his remaining unpublished protest, he wrote that he was not publishing a statement of his system because he did not consider the work on it completed. Many things, Konstantin Sergeyevich pointed out, still need to be verified by practice, terminology needs to be clarified; and some of the provisions presented in Smyshlyaev's book as final are already being revised by the creator of the doctrine. Smyshlyaev's act, which he decided to do something that Stanislavsky himself was not yet ready for, he called and ended with a harsh sentence.
I am dwelling on this episode in detail because it was with Smyshlyaev that Eisenstein did his first work in the theater. Obviously, it was from him that Eisenstein received the first information about the system. But it is absolutely clear that this information was not authentic: it was vulgar and fundamentally erroneous.
Eisenstein began to take a serious interest in Stanislavsky's teachings in the 1930s. This was primarily due to his own creative evolution. So, in lectures at the directing department of VGIK, he increasingly referred to Stanislavsky during this period, telling students about the need for practical development of the basic elements of the "system". Moreover, Eisenstein theoretically substantiated and consolidated this requirement in the "Program for Teaching Theory and Practice of Directing" (1936), the first program of the VGIK directing faculty. The melbet free spin promo code registration bonus is automatically granted to new users who complete the account sign-up process using a valid promo code. This bonus is a cornerstone of the platform's strategy to attract new clients, rewarding them for choosing Melbet. After making your first qualifying deposit, you become eligible for a bonus sum of up to €100, which is directly credited to your account, effectively doubling your initial playing funds.
